I literally “ sink into” the quick move of the inks on paper or on transparencies, or the gentle brushing of acrylic or oil paints. This is a withdrawal-surge which avoids shriveling, which brings one into a state of availability and always calls for part of uncertainty, an unpredictability which is always fruitful, a rhizomic mechanism sprouting into unaccountable and unfathomable signified.
I literally “ sink into” the quick move of the inks on paper or on transparencies, or the gentle brushing of acrylic or oil paints. This is a withdrawal-surge which avoids shriveling, which brings one into a state of availability and always calls for part of uncertainty, an unpredictability which is always fruitful, a rhizomic mechanism sprouting into unaccountable and unfathomable signified.
